Import BRoll: Difference between revisions
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The Import B-Roll feature lets you bring external footage—stock clips, archival material, VFX plates, brand assets or previously rendered ACT 3 shots—into any project without leaving the [[ | The Import B-Roll feature lets you bring external footage—stock clips, archival material, VFX plates, brand assets or previously rendered ACT 3 shots—into any project without leaving the [[Editor|ACT 3 AI Video Editor]]. It extends ACT 3’s “idea-to-screen” pipeline by giving editors a fast way to weave supplemental visuals into AI-generated scenes, title sequences or marketing cuts. | ||
== What It Does == | == What It Does == | ||
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Smart tagging that reads filename, metadata and AI scene analysis to auto-label clips (e.g., “city-sunset, drone, 5 sec”). | Smart tagging that reads filename, metadata and AI scene analysis to auto-label clips (e.g., “city-sunset, drone, 5 sec”). | ||
Drag-to-timeline placement; clips appear as blue strips on the [[ | Drag-to-timeline placement; clips appear as blue strips on the [[Editor|Timeline & Storyboard]] track beneath generative shots for clear visual separation. | ||
Credit-free usage – importing B-roll does not spend [[Credit_System|credits]]; credits are only consumed when re-rendering the final cut. | Credit-free usage – importing B-roll does not spend [[Credit_System|credits]]; credits are only consumed when re-rendering the final cut. | ||
Revision as of 14:48, 21 July 2025
Import BRoll
The Import B-Roll feature lets you bring external footage—stock clips, archival material, VFX plates, brand assets or previously rendered ACT 3 shots—into any project without leaving the ACT 3 AI Video Editor. It extends ACT 3’s “idea-to-screen” pipeline by giving editors a fast way to weave supplemental visuals into AI-generated scenes, title sequences or marketing cuts.
What It Does
One-click ingest for MP4, MOV, ProRes 422/4444 and image-sequence folders (PNG, EXR). The same Import/Export Bridge that handles scripts and EDLs also accepts B-roll video formats .
Automatic transcoding to ACT 3 mezzanine codecs so playback and rendering stay seamless across web and desktop.
Smart tagging that reads filename, metadata and AI scene analysis to auto-label clips (e.g., “city-sunset, drone, 5 sec”).
Drag-to-timeline placement; clips appear as blue strips on the Timeline & Storyboard track beneath generative shots for clear visual separation.
Credit-free usage – importing B-roll does not spend credits; credits are only consumed when re-rendering the final cut.
Cloud-synced storage with per-org quotas (clips count toward your cloud-storage limit; a progress bar warns at 90 %).
Proxy workflow – ACT 3 auto-generates lightweight proxies for smooth editing and swaps back to full-res during the final render pass.
Typical Workflow
From the Media panel, click Import B-Roll or simply drop files onto the browser window. Review auto-tags, retitle if needed, then choose which Episode ▸ Scene the footage should live in. Drag the clip onto the timeline; snap points and ripple-edit tools keep generative shots in sync. Use Blend Mode and Opacity controls to overlay logos or lower-thirds. Trigger an Export Preview to verify colour-space and frame-rate consistency before the final GPU render.
Permissions & Governance
Only members with the Use Credits or Modify/Edit role can add or replace B-roll clips (see Roles & Permissions).
All uploads pass through the platform’s three-stage Inappropriate Content Scanner before syncing to shared workspaces .
Best Practices
Keep original frame rate if you plan to align B-roll audio; ACT 3 will respect source FPS during conform.
Large 4 K masters consume storage rapidly—use the Generate Proxy toggle on import.
Use tags like “PR-approved” or “licensed-2025” so a quick search surfaces only rights-cleared material.
Related Pages
Contact Us if you have any problems using our product, or if you have questions.