Import BRoll: Difference between revisions

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= Import BRoll =
= Import BRoll =


<strong>Coming Soon</strong>
The Import B-Roll feature lets you bring external footage—stock clips, archival material, VFX plates, brand assets or previously rendered ACT 3 shots—into any project without leaving the [[Video_Editor|ACT 3 AI Video Editor]]. It extends ACT 3’s “idea-to-screen” pipeline by giving editors a fast way to weave supplemental visuals into AI-generated scenes, title sequences or marketing cuts.
 
== What It Does ==
 
One-click ingest for MP4, MOV, ProRes 422/4444 and image-sequence folders (PNG, EXR). The same Import/Export Bridge that handles scripts and EDLs also accepts B-roll video formats 
.
 
Automatic transcoding to ACT 3 mezzanine codecs so playback and rendering stay seamless across web and desktop.
 
Smart tagging that reads filename, metadata and AI scene analysis to auto-label clips (e.g., “city-sunset, drone, 5 sec”).
 
Drag-to-timeline placement; clips appear as blue strips on the [[Timeline_Storyboard|Timeline & Storyboard]] track beneath generative shots for clear visual separation.
 
Credit-free usage – importing B-roll does not spend [[Credit_System|credits]]; credits are only consumed when re-rendering the final cut.
 
Cloud-synced storage with per-org quotas (clips count toward your [[Cloud_Storage_Management|cloud-storage limit]]; a progress bar warns at 90 %).
 
Proxy workflow – ACT 3 auto-generates lightweight proxies for smooth editing and swaps back to full-res during the [[Rendering_System|final render]] pass.
 
== Typical Workflow ==
 
From the Media panel, click Import B-Roll or simply drop files onto the browser window.
Review auto-tags, retitle if needed, then choose which [[Project_Structure|Episode ▸ Scene]] the footage should live in.
Drag the clip onto the timeline; snap points and ripple-edit tools keep generative shots in sync.
Use Blend Mode and Opacity controls to overlay logos or lower-thirds.
Trigger an Export Preview to verify colour-space and frame-rate consistency before the final GPU render.
== Permissions & Governance ==
 
Only members with the Use Credits or Modify/Edit role can add or replace B-roll clips (see [[Roles_Permissions|Roles & Permissions]]).
 
All uploads pass through the platform’s three-stage Inappropriate Content Scanner before syncing to shared workspaces 
.
 
== Best Practices ==
 
Keep original frame rate if you plan to align B-roll audio; ACT 3 will respect source FPS during conform.
 
Large 4 K masters consume storage rapidly—use the Generate Proxy toggle on import.
 
Use tags like “PR-approved” or “licensed-2025” so a quick search surfaces only rights-cleared material.
 
== Related Pages ==
 
[[Cloud_Storage_Management|Cloud Storage Management]]
 
[[Rendering_System|The Rendering System]]
 
[[Credit_System|Credit System]]
 
[[Timeline_Storyboard|Timeline & Storyboard]]
 
[[Export_Distribution|Exporting & Distribution]]





Revision as of 15:01, 1 July 2025

Import BRoll

The Import B-Roll feature lets you bring external footage—stock clips, archival material, VFX plates, brand assets or previously rendered ACT 3 shots—into any project without leaving the ACT 3 AI Video Editor. It extends ACT 3’s “idea-to-screen” pipeline by giving editors a fast way to weave supplemental visuals into AI-generated scenes, title sequences or marketing cuts.

What It Does

One-click ingest for MP4, MOV, ProRes 422/4444 and image-sequence folders (PNG, EXR). The same Import/Export Bridge that handles scripts and EDLs also accepts B-roll video formats  .

Automatic transcoding to ACT 3 mezzanine codecs so playback and rendering stay seamless across web and desktop.

Smart tagging that reads filename, metadata and AI scene analysis to auto-label clips (e.g., “city-sunset, drone, 5 sec”).

Drag-to-timeline placement; clips appear as blue strips on the Timeline & Storyboard track beneath generative shots for clear visual separation.

Credit-free usage – importing B-roll does not spend credits; credits are only consumed when re-rendering the final cut.

Cloud-synced storage with per-org quotas (clips count toward your cloud-storage limit; a progress bar warns at 90 %).

Proxy workflow – ACT 3 auto-generates lightweight proxies for smooth editing and swaps back to full-res during the final render pass.

Typical Workflow

From the Media panel, click Import B-Roll or simply drop files onto the browser window. Review auto-tags, retitle if needed, then choose which Episode ▸ Scene the footage should live in. Drag the clip onto the timeline; snap points and ripple-edit tools keep generative shots in sync. Use Blend Mode and Opacity controls to overlay logos or lower-thirds. Trigger an Export Preview to verify colour-space and frame-rate consistency before the final GPU render.

Permissions & Governance

Only members with the Use Credits or Modify/Edit role can add or replace B-roll clips (see Roles & Permissions).

All uploads pass through the platform’s three-stage Inappropriate Content Scanner before syncing to shared workspaces  .

Best Practices

Keep original frame rate if you plan to align B-roll audio; ACT 3 will respect source FPS during conform.

Large 4 K masters consume storage rapidly—use the Generate Proxy toggle on import.

Use tags like “PR-approved” or “licensed-2025” so a quick search surfaces only rights-cleared material.

Related Pages

Cloud Storage Management

The Rendering System

Credit System

Timeline & Storyboard

Exporting & Distribution



Contact Us if you have any problems using our product, or if you have questions.